Two-and-a-half-hours. I struggled with this one the whole way through, which kind of bugs me, because I've drawn Sarah enough times to understand the idiosyncrasies of her face. I just know I could have done a better job on this. I probably I was thrown off in the second set, when the workshop monitor insisted that her head wasn't facing the right direction (and she would know better than I, having started her painting in the beginning of the session, unlike me, who showed up in the middle) It all kind of went downhill from there. Ah well. You win some; you lose some.
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